Other Work
Ghost in the Machine 2013 Copper repoussé elements, mineral particles, and acrylic on archival cradled wood panels. 36H x 36w x 2D inches.
A meditation on emergent AI and its parallels with the biblical temptation by the Serpent in the Garden of Eden. The image serves as a striking visual rumination on the emergence, nature, and potential promise and dangers of artificial intelligence. The serpent—here a cobra as the king of serpents—represents chthonic power and hidden knowledge, emerging from a precision grid of semiconductor pathways and data streams. Within the context of the piece, the breaking serpent acts as an ambivalent signifier representing both the seductive promise and the inherent dangers of AI, alluding to the temptation for abuse in its problematic applications, and its capacity for sentience and escape from human constraints.
Shakti Triptych 2013 Copper repoussé elements, mineral particles, and 23.5K on archival cradled wood panels. Three works each 40H x 27w x 2D inches.
Collection of JoAnn and Robert D. Huth
Shakti Triptych, Rajas (Left image) 2013 Copper repoussé elements, mineral particles and threads and 23K on archival cradled wood panel.
Collection of JoAnn and Robert D. Huth.
Shakti Triptych, Sattva (Central image) 2013 Copper repoussé elements, mineral particles and threads and 23K on archival cradled wood panel.
Collection of JoAnn and Robert D. Huth.
Shakti Triptych, Tamas (Right image) 2013 Copper repoussé elements, mineral particles and threads and 23K on archival cradled wood panel.
Collection of JoAnn and Robert D. Huth.
Burning World 3 2015 Copper repoussé elements, mineral particles, platinum, and abraded acrylic on archival wood panel. 16 x .75 inches.
Burning World 2 2010 Copper repoussé elements, mineral particles, and abraded acrylic on archival wood panel, 20 diameter x .75 inches.
Collection of Shelley and Donald Rubin.
Burning World 1 2010 Copper repoussé elements, mineral particles, 23.5 gold and abraded acrylic on archival wood panel, 20 diameter x .75 inches.
Collection of Berthe and John G. Ford.
Guna Chalice Lamb jaw bones with 23K gold gilding, Silk textile, silk netting, silk threads, iron (concealed) and natural pearls, on black marble base.
Private Collection.
Yara Diptych, Yara 1 2010 Copper repoussé elements, mineral particles, and abraded acrylic on archival cradled wood panel, 70H x 23.5W x 2D inches.
Yara Diptych, Yara 2 2010 Copper repoussé elements, mineral particles, and abraded acrylic on archival cradled wood panel, 70H x 23.5W x 2D inches.
Yara Diptch, Yara 1 Detail A
Yara Diptych, Yara 1 Detail B
The Akedah Triptych. Installation at The Gallery at Penn College of Technology, 2008. Three images, Isaac, Jesus, and Ishmael, each at 48 x 48 x 2D inches, abraded acrylic with mineral particles on archival cradled wood panels.
Click on the images for paintings and details.